Official Box Office Discussion for the weekend of 25 - 27 November 2022 (Glass Onion & Strange World edition)

\ = hasn't premiered in other territories or limited release*Weekend domestic top 10Domestic WeeksWeekend grossDomestic gross changeWorldwide grossBudgetCinemaScore1. Black Panther: Wakanda Forever3$45,583,904-31.4%$676,036,389$250,000,000A2. Strange WorldNew$12,151,384-$28,279,408No sourceB3. Glass Onion: A Knives Out Mystery *New$9,400,000-$13,280,000$40,000,000Not rated4. Devotion *New$5,902,803-$9,004,070$90,000,000Not rated5. The Menu2$5,478,956-39.2%$33,984,410$30,000,000B6. Black Adam6$3,255,486-29%$377,736,860$200,000,000B+7. The Fabelmans *3$2,220,234+2,374.3%$3,430,000$40,000,000Not rated8. Bones and All *2$2,204,463+1,721.8%$5,809,000No sourceB9. Ticket to Paradise6$1,850,170-42%$161,906,000$60,000,000A-10 The Chosen Season 3: Episode 1 & 22$1,585,840-81.9%$13,509,630No sourceNot rated“I've seen too many In need just to turn a blind eye ”Wakanda Forever continues to outrun Multiverse of Madness by $25mil and Love & Thunder by $90mil at the same time of their respective runs in the domestic box office. It's already sitting $75mil under Love & Thunder's and $280mil under Multiverse for their total, world-wide runs. (Which is hard to get weekly data from).Newcomers are Strange World and Glass Onion, which is now in limited release. The Menu kept on holding on with the famous '40% drop week 2'.According to some websites, Strange World is bombing hard and set to lose $100mil, which at first glance I took with a grain of salt, because earlier this year, DC League of Super-Pets premiered to a "meagre" $23mil. And while it wasn't a runaway success initially, it had some long legs, (probably) turning a profit.The biggest difference between these two is the budget behind Strange World, which is reported as $180mil (which is the same as with most new IP's for Disney Animated movies) versus the reported $90mil from Super-Pets. So even if Strange World would follow in the footsteps of SP, it would probably still not turn a profit at the end of the road.Headlines of the weekA recent report alleges Disney's ex-CEO Bob Chapek attempted to make Disney+ appear more profitable by shifting the budgets of various projects.​Albert Pyun, Cult Filmmaker Behind ‘Cyborg,’ ‘Nemesis’ and ‘Captain America,’ Dies at 69​Irene Cara, the Oscar-winning singer of the title tracks to "Fame" and "Flashdance," has died at age 63, her publicist announced late Friday. via /r/movies https://ift.tt/NsI4RmM